What do Steven Soderbergh's Presence and Michael Jackson's song "Man in the Mirror" have in common? We'll explain.

Thank god for Tony Rayns, whose commentary for The Undercover Man made me realize what makes Joseph H. Lewis's aesthetic so ...

It's easy to think about Harakiri as a critique of ancient Japan, but it's worth examining it as commentary on Japan ...

We are not so much expected to understand Eraserhead, but accept that the film is a Lynchian journey into the struggle of being human.

C, as a ghost, spends years trying to unearth the note M left. After the house is bulldozed, he hangs out for a few more decades (or however long it takes a city to develop) before jumping back in ...